SOCIAL CONTEXT
AND MUSICAL CONTENT OF RAP MUSIC
Tense
occurrence and rhetorical function
Introduction
The
different tenses used in this descriptive text are simple present tense, simple
past tense, present continuous tense and present perfect tense. Generally,
there are 28 sentences and 5 paragraphs in this descriptive article which is
found in journal. This article is
written by Howard Lune, Enrique S. Pumar and Ross Koppel. Howard Lune is an
Associate Professor of Sociology and the Director of the Graduate Social
Research Program. While Enrique S. Pumar is Associate Professor and Chair of
the Department of Sociology and Ross Koppel is an Adjunct Professor of
Sociology of university of Pennsylvania.
Analysis
on the use of different tenses
Over the past three
decades, scholars produced
important evidence on the role of industry, organizational structure and
markets in the creation of cultural goods. However, the consequences of these
structures for creative people and the content of the cultural objects they produce
are not yet well understood, as noted
by Cerulo (1984) and Peterson and Anand (2004). This gap in the literature is striking
given the emphasis of the lead production of culture scholars on the impact of
the context of production on artistic work (Becker 1982, White and White 1965).
Yet, there is much evidence for the effect of market
concentration and the organization of firms on the production of rap music.
Tenses
|
Words
|
Uses
|
Simple
past tense
Simple
present tense
Present
continuous tense
|
produced
noted
produce
is
is
striking
|
single
past actions or events that is finished
sequences
of actions
express
general statements of facts
express
general statements of facts
describe
current situation as temporary
|
The structure of the contemporary recorded music
industry is
oligopolistic, controlled
by multi-national firm with diversified holdings across multiple media and
consumer product markets. These firms restructured
their bureaucratic infrastructure in the past several decades, establishing semi-autonomous divisions
that oversee subsidiary labels. Subsidiary labels are typically run by freelance producers, who are ‘delegated
the responsibility of producing marketable creations, with little or no
interference from the front office beyond the setting of budgetary limits’. Recently,
Dowd found one
effect of this ‘de-centralized’ production was
to attenuate the negative effect of oligopolistic markets on musical diversity.
De-centralized production allows subsidiary labels to imitate
independent labels’ ability to seek out new talent and musical styles; at the
extreme, they are
able to co-opt the type of musical products independent labels offer.
Tenses
|
Words
|
Uses
|
Simple
past tense
Simple
present tense
|
restructured
found, was
is, controlled
are, run
are
allows
|
single
past actions or events that is finished
sequences
of actions
describe
a series of actions
express
general statements of facts
express
general statements of facts
talk
about future actions
|
Scholars do not agree, however, on the source of diversity in
the music market. Anderson and Hesbacher found independent
labels often introduce
new genres to the market place, but these genres have little variability.
Independent labels introducing new genres typically record new artist; however, Dowd
found that hits of new performers are
not as musically varied and dissimilar as those established performers.
Disagreements over the source of diversity are partly attributable to the lack of a
standard measure: the literature relies both on a variety of proxy measures and
direct measures of musical content. Proxy measures of musical diversity include
the appearance of new artists.
Tenses
|
Words
|
Uses
|
Simple
past tense
Simple
present tense
|
found
do, agree
record
are
relies
introduce, have
include
|
single
past actions or events that is finished
express general statements of facts
express
general statements of facts
express
general statements of facts
express
things that are true for a long time
describe
a series of actions
express
things that are true for a long time
|
This research seeks to contribute new measures of diversity,
an analysis of lyrical and sub-genre musical content. It offers the first analysis of
R&B music charts and population data on charted rap music as well as
evidence of the effect of decentralized production by oligopolistic firms on
the content of music. There are consequences of social context on art
production.
Tenses
|
Words
|
Uses
|
Simple
present tense
|
seeks
offers
are
|
describe
repeated actions
talk
about future actions
express
general statement of facts
|
Rap music was
the best case for this study for several reasons. First, the link between
record label management practices and rap music content has been a focus of highly
publicized criticisms of the genre. Sen. Joe Lieberman captured
national attention with a letter writing and radio campaign aimed at pressuring
record companies to cease production of “obscene” rap music. Lieberman was joined
by fellow Sen. This followed
two years of anti-rap record store demonstrations and Congressional Hearings on
the issue. There is evidence that record labels encouraged rap artists to
produce prurient content. For example, during this period, Carmen
Ashhust-Watson described the development
strategy of rap label Def Jam. “Right now gangsta rappers are the big thing. If [a
hypothetical rap group] look like the kind of group that has
capacity to do that, then [our label] might suggest they do
some gangsta-style songs”. The link between (objectionable) rap content and
record labels is
thus of interest to policy makers and the public. Second, rap music charted earliest on the Billboard
Magazine weekly R&B charts, a data source scholars have ignored. Drawing upon these
charts provides
the most complete temporal snapshot of charting rap songs and includes
more sales heterogeneity than other studies of music markets, with the notable
exception of Dowd.
Tenses
|
Words
|
Uses
|
Simple
past tense
Simple
present tense
Present
perfect tense
|
was
captured
was joined (passive verbs)
followed
described
is
are
look
suggest , do
provides
includes
have ignored
|
fast
states
single
past actions or events that is finished
single
past actions or events that is finished
sequences
of actions
habits
in the past
single
past actions or events that is finished
express
general statements of facts
express
general statements of facts
express
general statements of facts
describe
a series of action
talk
about future actions
talk
about future actions
An action or
situation that started in the past and continues in the present
|
Summary
This article describe about the production of rap
music either in melodic and chordal structure or music material. Readers also
gave out their thought and feedback to the new world of music, rap, with new
measurement from all diversity. Even though there are some argumentative
opinions between the readers in deciding whether rap music should be included
in music industry market or not, but the research had charted the high sales of
rap music product.
Conclusion on the use of tenses
The
tenses that often use in this descriptive text are the simple present tense.
This is followed by the use of simple past tense and the present continuous
tense. The present perfect tense and the future continuous tense are each used
twice only. The future perfect tense only used once in this text. This article had been identified as
descriptive text because the tenses that used by this article is mainly simple
present tense. This article also uses a lot of adjective to describe the characteristic
of the main content, rap music.
REFERENCE
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